I'm more than a little concerned. See, I've sort of hit the point. Mind you, we're now going to talk about something relevant and concrete, my life and career. Quite a refreshing change, or perhaps not.
I've been working on this latest tale, Kimberly and Valentine for about 5 months now. There's a fairly detailed history of its process on these very pages, but to give a quick catch up, I shot through a 92 page version, gave it out for two pairs of eyes to read 14 weeks or so ago. Today, it comes in at 126...14 weeks to add what only looks to be a total of 34 pages. But that's how it works. Because 34 pages change every word, every tone, much work had to be done to get it right here, exactly where I want it to be.
So now it's done. Finished on this end. When it gets picked up and goes into development, it's going to be shaped again, but until that point, there's nothing I can do to it, nothing I should. It says exactly what I want it to say and I don't think I've ever been happier, never been more hopeful or excited about the possibilities of tomorrow, or two hours from now...two minutes. It's brilliant. I don't feel like it's my work anymore. Something schizophrenic has happened, as if I've completely removed myself from it, able to talk it up like I were a fan, a crazy and rabid fan toting someone else's work.
Which brings me to the title of this post, the thing that really scorches me about this whole process. This weekend, maybe next, a handful of people are going to take it home with them. They're going to read it, say holy shit in their minds, make a call, line up their cards so that it becomes a weekend read for execs of the major studios around town. Several of them are going to jump on it, say something like this is great, that the youth will really gravitate, that it could be a very defining for a generation. They'll say it's timely and commercial and sensational and different. They'll make offers on a Monday. It'll sell and I'll sit back for 5 minutes and say something like shit, took long enough.
But that's not even the exciting part. The exciting part is the possibility that I am totally wrong. There certainly is a 10 percent chance or greater that it's none of that. There's a possibility that no one wants to see a movie about two scorching hot, star crossed criminal lovers. There's a chance I have no idea how to weave words. And the thought of it all excites me nearly as much as success. Because after all I've been through, after all I've labored and suffered over, if Kimberly and Valentine fall flat on their faces, I'm likely headed for a breakdown of epic proportions.
And I imagine myself wandering through South America, befriending guerrilla warlords or heading back to Africa to live in the Eastern villages. Out of touch, out of sight. Brilliant. And the thought of it lights me up. And the thought of it make me feel alive.
